Bluebird Hill Art

Winter Window Cat

*Winter Tuxedo*, Collage and mixed media on board, 6 x 8″, 2022.

Collage/mixed media is my favorite media. Cats in windows and winter are some favorite subject matter. I combined these favorites with a new (to me) technique to make this small and cozy artwork of a cat napping in a house plant.

I wanted a window that had a glass-like texture. I have used gloss gel medium for this in the past, but did not want brushstrokes or marks in it this time. So, when I stumbled across making stickers from magazine images with packing tape I knew it would be just the touch this artwork needed.

To do this kind of transfer, you need only a few simple materials: magazine image, a container of water, and packing tape.

You start by cutting out the image in the shape/outline you want. Then, cover it in packing tape, with your image facing up. I trimmed the extra tape off, but it is not a necessary step. Then, you submerge your taped image in water, to soften the paper. Once it has been sitting long enough to start to see the image on the other side, remove it from the water. Use your hands to roll the wet paper off of the tape. You will be left with a semi-transparent image.

Once the outside winter scene was complete, I glued it to the board. Then I added strips of paper to create the window. While all of this was drying, I was painting the cat on watercolor paper. I cut out the cat and then added collaged bits of green paper for the plants.

Assemblage Box & Collage Card

This past fall, I created an assemblage box with natural items from beaches and fields and river beds. I started by taking apart an old cigar box and painting the lid black with acrylic paint. Next, I collaged a section of torn paper from an old book explaining how to play bridge. I wanted this to represent the hours of cards played on our trips to Lake Superior, out west, Florida beaches, and summer evenings after perusing the river bed. Next, I arranged the rocks, beach glass, bits of metal, and even a marble in a line. I rearranged several times for color, size, and texture. When I was happy with the arrangement, I glued them in place.

I gave the box and this collaged card to my mom for her birthday. The card is made from collaged magazine pages and glued to a blank greeting card. She was excited for the card, as we were just coming off of a boom peach year and had enjoyed a summer and early fall of fruit from our orchards.

Bluebird Lino Cut Cards

I haven’t posted much here lately, as I have not been creating very much. I made these up for greeting cards/gifts for neighbors and friends. Bluebirds have always had a special place in my heart. Our little hilltop has always been a prolific bluebird area and it quickly became the namesake of our hilltop – hence the name of this blog. This particular print is a black linocut that is then colored with color pencil. This is one of the first of the run, and so the coloring is not my favorite.

I am thinking I will need to do a run in oil-based ink so that I can hand tint with watercolor. The colors would be more vibrant and not bleed water-based ink I used on the first run. I also tried one with marker for color.

I printed up quite a few of these, but some prints were duds with too much background noise or too much slipping and sliding (I let my 4th grade son help with the printing and these were great learning experiences for him.

This is the print in its early stages. Now I am debating which birds to tackle next. Any suggestions? Leave them in the comments!

Sun Prints

I always strive for outdoors and creative play rather than screen time, in an effort to prevent my kids from becoming screen zombies during the most beautiful weather of the Midwest summer. I don’t know about anyone else’s kids, but mine turn in heaps of sobbing and arguing messes after any amount of screen time. Nature art to the rescue. Specifically sun prints, also known as cyanotypes. What I love about these prints is that they are process-oriented. All of my favorite creative activity for kids are process-oriented, meaning the process is truly more important than the outcome. There is no copying of a subject (for example, we aren’t all trying to create a print of a smiley face).

We started by gathering some materials. Look for items that have differing edges, negative space, translucent, and mostly flat. Buy your own Sun Print paper or create your own. You can see some historical examples and learn about the history of the cyanotype from the Getty.

The directions are simple to follow and on the back of the package. My kid appreciated the visuals in these directions.

We used newspaper sections, but cardboard works too. Working in the shade, place the sheet of cyanotype paper on the newspaper, blue side up. Arrange your items quickly. Place the piece of plexiglass (blue and provided in this kit) on top. Place in the sun for 4-5 minutes. Watch the print to see when it turns white. I used a small section of the edge of the paper to ensure I did not over expose the paper.

When it is ready, quickly take items off and slide the cyanotype paper into a tray of water.

I flipped it upside down and into the water for 1 minute. These will make great cards, artworks on their own, backgrounds for paintings or collages, or even decoupaged into a shadow box. Allow them to dry flat. If they are wrinkly, set a stack of books on top of them once they are dry.

Our next step is to try this with fabric!

Winter Mixed Media Art

I have been squeezing in studio time as much as I am able to these days. I keep stalling out on a now years-long project with a winter solstice theme. I am more than halfway through the project, however I have a few images in this series that just need a complete do-over.

This was not a do over artwork, but the direction of collage mixed with watercolor is working for me. It is a style that I will certainly continue throughout this project.

Nebraska Embroidery

With the start of the school year looming, I’m trying to wrap up some unfinished projects around here. This particular embroidery was started over spring break. I tried to add a few details, but ultimately ended up ripping them all out, and instead opting for a simple landscape. You can find it for sale here.

My car workspace. I find it easier to stitch than draw, while in the car.

Last March we tried to head out to Fort Collins, Colorado for a change of scenery. Record snowfall delayed our trip and we ended up staying in Kearney, Nebraska for a night.

To my absolute delight, we accidentally ended up in the middle of sandhill crane migration and Kearney happens to be the epicenter of this colossal migration.

Each year, approximately 600,000 sandhill cranes migrate through Nebraska, specifically along the Platte River. The Platte River is wide and shallow, creating the perfect place for cranes to spend the night. During the day they feed on corn from the nearby fields.

Kearney has a spectacular crane viewing park at Fort Kearney State Recreation Area– it has campsites, a playground, plenty of parking, trails, and a bridge to watch cranes coming in for the night.

We found food, viewed cranes, and spent the night in Kearney, due to the interstate being closed. We got up the next morning and saw thousands more cranes and eventually we did make it to Colorado. Admist the human frustrations of road closures, the cranes were a welcome moment of awe and something I’ve always wanted to witness. Their journey is a wonder that has been happening for thousands of years and a timely reminder to slow down and pay attention to the beauty outside our car window.

Waffle Series Pronto Prints

*Chicken & Waffles*, Pronto Plate Print, 8 x 10″, 2021.

This is another pronto plate series I printed during my spring printing class at the Des Moines Art Center. The inspiration comes from my family’s love of eating waffles and our recent addition of a flock of ten hens for egg-laying purposes.

I started with a printing the waffles. Pronto plate is a modern take on lithography – one starts with a drawing using permanent marker on special pronto paper. Then, you wet the paper with a sponge. Next, you roll your lithography ink over the inked drawing. Repeat wetting the paper and rolling the ink until the ink covers the ink drawing. At that point, the plate is ready to be run through the printing press and onto wet printmaking paper.

After the waffle images dried, I was ready for the second layer. I chose the same dark blue for the waffle and the chicken, so I would save time not cleaning up between colors (work smarter, not harder).

I marked on my plate where I wanted to the chicken to overlap the waffle and ran half my waffles through with chickens and eggs on top.

I ran the other half of my waffles through with mulberries & mulberry syrup on top. As a kid, we always ate homemade mulberry syrup on our pancakes and waffles. This color blue was perfect for the color of ripe mulberries!

Cheese & Macaroni

I just wrapped up a printmaking class at the Des Moines Art Center. I’ve done relief printing most of my life, but wanted to dive deeper into other printmaking techniques.

My new-found printmaking love is a modern lithography technique called pronto plate. The pronto plate is drawn on with Sharpie and then taped to a piece of plexiglass. The plate is wet down with a sponge between each inking. The ink sticks the the toner in the Sharpie, but not the paper. Then printing plate is then run through the printing press.

I did several series of this technique. It’s a process I really enjoyed and it gave a clean, crisp image. The kind of image I always wanted to achieve via silkscreen but couldn’t seem to ever attain.

Happy (belated) Valentine’s Day

I’ve been using printmaking to make Valentine’s since I was a kid – maybe started this tradition when I was in 3rd grade? My parents were always into printmaking and they thankfully taught me linocut early on.

This year I had to go with the masked theme. Some of these will be available in the shop section of this site soon!

I started with the soft-kut linoleum blocks. This is a fabulous material that my first grader even handled with ease. I love using a thick line of marker to ensure I don’t cut too much away.

I used watercolor paintings as the background of my prints. Rubbing alcohol and salt were fun additions to the paintings.

Both my kids were hooked – even working at breakfast instead of eating.

My son created a mask and heart design, but separately. The kids figured out they could cut designs on both sides of their printing block. My daughter did a cat and hearts.

My daughter forgot to make her carved words mirrored backwards, and didn’t catch it until her proof. She rolled with it and adapted her design – a great example of a beautiful oops!

Neuron

This neuron is the second round from a much earlier embroidery that was never completely satisfied with the outcome.

I started with the leg of some worn out pants. This gray would prove to be a good choice when I decided to make this a functional artwork and not a wall hanging.

The pouches are made of recycled cotton and come from Dick Blick. They come in a handy variety of sizes, but only the gray color.

At some point I’ll revisit the synapse concept, but for now the marvelous structure of a neuron works for me.